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On the occasion of PAD Paris 2025, the Galerie Gastou will highlight the work of designer Omar Chakil, whose creations blend craftsmanship, art, and design. Drawing inspiration from animism and the rich heritage of Egypt, Omar Chakil shapes sculptural pieces with organic lines, where raw and refined materials interact to create works that are both powerful and timeless.
For the event, Victor Gastou was inspired by the tradition of the pharaohs, who would surround themselves with their finest possessions for their final journey. This vision guided architect Matthieu Poirier-Lauvin in designing a space with a clean aesthetic, evoking the monumental architecture of ancient Egypt. This immersive setting will allow the gallery to showcase its signature pieces in a unique dialogue between past and present, sacred and contemporary.
PAD Paris 2025 will be an opportunity to discover a universe where design and history intertwine, enhancing Omar Chakil’s singular vision and the aesthetic legacy upheld by Galerie Gastou.
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Omar Chakil
"Résurrection" coffee table, 2024Raw Egyptian Alabaster Onyx, Persian Pink Onyx, Italian Bianco P marble
H. 37 x 140 x 100 cm
Edition of 8 + 4 AP -
Uraeus Birth Chair
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Chakil’s sculptural design pieces use organic lines, showcasing the beauty and versatile nature of the stone while paying homage to its ancient legacy through singularly modern esthetics that bridge multi-cultural heritage.
The pieces present Ancient Egyptian animal deities seen through a modern lens. Whether mimicking the fossilized tail of a Nile crocodile, scanned from a life-size reptile, in Egyptian alabaster quartz crystals for the ‘Sobek Bench’, or carving to ‘Uraeus Birth Chairs’, crowned by upright, open-hood cobras, these Ancient Egyptian symbols shine in a new light. -
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Alongside Omar Chakil’s creations, the presentation will feature works that similarly celebrate masterful craftsmanship and noble materials, echoing the spirit of Egypt through subtle references and refined forms.
Among them, a pair of sculptural Thèbes armchairs by John Dickinson, with their striking lines and distinctive feet, evoke the grandeur of ancient motifs. They will be joined by a rare pair of René Prou armchairs from 1929, elegantly upholstered in white fabric, whose geometric frames recall the decorative richness of the period.
Completing the ensemble, Shiro Kuramata’s Cabinet de Curiosités — a true masterpiece — will introduce a sense of lightness and delicacy, while the Perles candleholders by André Dubreuil will contribute a sculptural and ornamental element, adding a baroque touch to the contemporary works. Together, these pieces will create a harmonious dialogue between heritage, craftsmanship, and design.
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John Dickinson
"Thebes" armchairs, c. 1985Poplar wood, horsehair cushions
H. 71 x 80 x 81 cm -
André Dubreuil
"Perles" candleholders, c. 1990Patinated and gilt metal, pearls of glass
H. 61.5 x 30ø cm -
René Prou
Pair of armchairs, 1929Walnut wood
H. 78 x 55 x 56 cm -
Omar Chakil
"Colorama Canopic" vases, 2024Raw Egyptian Alabaster Onyx, Pigmented Egyptian Alabaster Onyx
H. 50 x 25ø cm
Open edition -
Emmanuel Babled
"Etnastone" coffee table, 2024Bronze
H. 34 x 120 x 163 cm
Edition of 8 + 3 AP -
Quentin Vuong
Pair of sconces, 2024Oak wood, epoxy resin 162, caplain
H. 40 x 27 x 20 cm